Graphic

Discover 745 award-winning designs tagged Graphic on Graphic Design News.

Designer: Mirna Noaman Project: Posters Tag: Graphic

Rules of War

The Rules of War is a poster series about international humanitarian law and the rules of restraint in armed conflict. The series uses mostly negative space, with no colors, shapes or figures that could point to any side of a conflict. Four themes present the shared teachings of international humanitarian law and the Quran. The posters were created to bring these rules closer to Arabic speaking and Muslim audiences during Ramadan. Each poster measures 1000 by 700 millimeters and is made for both printed and digital use.

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Designer: Katsumi Tamura Project: Calendar Tag: Graphic

In Bag On Desk

In Bag On Desk is a promotional calendar created for goo, an Internet portal site that originated in Japan. The design is an updated version of a desk calendar with pockets. In Bag On Desk can be used in two ways, as a notebook carried in a bag and as a desk calendar. A monthly calendar, memo paper and a pocket for receipts and similar papers are included. The calendar stands on a desk when the cover paper is fastened with a magnet. The size is 195 by 145 by 10 millimeters. Detailed printing and processing technologies were used.

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Designer: VISANG Project: Brand Identity Tag: Graphic

HanKkeut

HanKkeut is a brand identity for a series of grade school textbooks developed through collaboration between students and teachers. The brand objective is an all-in-one connection in learning. The cover graphic uses a connected stroke that emanates from the brand identity image to express a sense of ascension. The same stroke is applied to all HanKkeut books to create a consistent visual feature. Vivid colors, embossed textures and holographic stickers are used on the covers. Different age levels are distinguished by different cover colors.

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Designer: Junheng Li Project: Font Design Tag: Graphic

Reincarnation Of Text

Text of Cycle is a typeface design that explores the relationship between people and artificial intelligence. The concept proposes that people created artificial intelligence, and that artificial intelligence may in turn create people, making words the link between both. The letterforms follow a method of deconstruction, combining shapes taken from science fiction films and modern machinery. Each character was modelled in Rhinoceros 7 and rendered in KeyShot 8. The result reflects the cycle of language and knowledge.

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Designer: Zhenyu Li Project: Image Design Tag: Graphic

Public Space Competition

Public Space Competition is a visual identity system created for a nationwide art and design competition held in Wuxi, China. The identity covers a logo, posters, video, promotional items, certificates, a book, a website and digital interaction design. Digital printing, screen printing and new media technology were used in the production. The identity was applied in subway advertising, television media, public transport media, school posters and news media. The aim was to keep one clear image across many online and offline channels.

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Designer: Yu Morisawa Project: Corporate Identity Tag: Graphic

A Inc

A Inc is a corporate identity program created for a company based in Tokyo. The identity is built around a single letter A formed from colored stripes. The stripes represent the energy and potential of every person involved with the company. The overlapping stripes show how the company takes shape through a diversity of preferences. The identity is applied to business cards and envelopes, and each person can select a favorite color. Envelope colors can be matched to recipients. The logo is embossed to keep the strong colors subtle.

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Designer: Kimhung Choi Project: Wayfinding System Tag: Graphic

Oil Street Art Space

Oil Street Art Space is a wayfinding system created for a public art and cultural venue in Hong Kong. The site includes a historic red brick building and a newer two-storey building with outdoor areas for exhibitions and community activities. The form of the signage is derived from the venue logo and combines three surface areas. Black is used to suit the historic setting, with one area in the brand colour. The signs are made of stainless steel with powder coating and painted debossed letters, and are fixed between the bricks to limit damage to the building.

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Designer: Hsiao Yun Tseng Project: Illustration Tag: Graphic

Lucky Tiger Welcomes New Year

Lucky Tiger Welcomes New Year combines zodiac signs with traditional Chinese paper-cut elements, making the design look like looking out from a window frame, while auspicious animals roll gold coins outside, as if bringing wealth. The overall use of spring-like colors, abandoning the traditional red color, and adding a lot of flowers and plants, because the pronunciation of flowers and fortune is similar (in Chinese-speaking areas), it seems that this year has good luck for fortune.

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Designer: Paul Robb Project: Typeface Design Tag: Graphic

Monk Font

Monk seeks a balance between the openness and legibility of humanist sans serifs and a more regularized character of the square sans serif. Although originally designed as a Latin typeface it was decided early on that it needed a wider dialogue to include an Arabic version. Both Latin and Arabic design us the same rationale and the idea of shared geometry. The strength of the parallel design process allows the two languages to have balanced harmony and grace. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms.

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Designer: YuJin Jung Project: Infographic With Animated Gif Tag: Graphic

All In One Experience Consumption

The "All In One Experience Consumption" project is a Big Data Infographic showing information such as the purpose, type, and consumption of visitors to complex shopping malls. The main contents are composed of three representative Insights derived from the analysis of the Big Data, and they are arranged from top to bottom according to the order of importance. The graphics are done using isometric techniques and are grouped into using the representative color of each subject.

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Designer: Wang Zhiqi Project: Corporate Identity Tag: Graphic

C'YiShu

C'YiShu is a corporate identity created for a studio that combines architectural interior design with piano education. The identity is built around a custom symbol that joins Chinese characters with spatial form. Auxiliary graphics represent the business areas of the studio, which include design, piano, coffee, and furniture. The symbol works as a complete visual system rather than a single logo. Applications include notebooks, business cards, envelopes, cloth bags, and brooches, made with silver printing, white hot stamping, specialty paper, and metal laser cutting.

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Designer: Spiros Gizas Project: Corporate Brand Identity Tag: Graphic

Lumedica

Lumedica is a corporate brand identity created for a diagnostic company. The identity is built around a classic typeface and a graphic sequence logo, a form used in bioinformatics to show the conservation and the diversity of DNA and RNA sequences. The logo is placed as the focal point of the design. Color, typography, shapes, images and white space are combined to express the character of the brand. The identity is applied to the envelope, letterhead, result folders, diary, brochures, bag, cards, flyers and calendar.

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