Graphic

Discover 745 award-winning designs tagged Graphic on Graphic Design News.

Designer: Wing Sze Wincy Kung Project: Architectural Narrative Illustration Tag: Graphic

Bamboo Craft Festival

In response to the sweeping urbanization of Hong Kong and the resulting loss of its cultural diversity, A Bamboo Craft Festival is designed with vast elevated temporary bamboo platforms and structures, creating an urban spatial celebration to preserve and revitalize the local street life cultures, traditions, and craftsmanships. The festival takes place annually and aims to engage the public to experience and explore local street cultures and craftsmanship through workshops and performances, embodying the spirit of Hong Kong.

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Designer: Shenzhen Lightcone Design Co., Ltd. Project: Visual Design Tag: Graphic

The Fulcrum

The Fulcrum is a visual identity system created for a design company. The system is inspired by the light cone, a spacetime model in physics, and by the gyroscope. The gyroscope symbolizes inner steadiness, while the light cone suggests broad creative possibilities. A color scheme of black, white, and red is used, where black stands for logical thinking, white for pure design, and red for passion. An accompanying poster series is produced with a three-dimensional spray painting process to create layered graphics. Each poster measures 1000 mm in width and 1800 mm in height.

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Designer: Liying Wang Project: Corporate Identity Tag: Graphic

Bitter Plus Sweet

The Bitter plus Sweet corporate identity reimagines craft coffee aesthetics through a dual read monogram. Inspired by the duality of coffee, balancing strength and softness, the design merges a geometric heart with the brand initials. A structural B denotes bitter roasts, while an S conveys sweetness. Engineered on a strict mathematical grid, the scalable logo utilizes an organic palette of Espresso Brown and Sage Green. This approach subverts industrial cliches, engaging consumers with a rewarding hidden visual narrative.

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Designer: HE LIU Project: Corporate Identity Tag: Graphic

Tibet Shannan

Tibet Shannan project aimed at promoting the tourism industry in Shannan. By creating a representative logo to extend the impression of the city through systematic products and tourist guides. The inspiration for the logo is drawn from the features of Shannan and simplified into symbols through contemporary art. The logo itself is versatile and scalable, able to seamlessly integrate into different products. This work hopes to bring a positive and interesting energy to the audience, better meeting the needs of the modern market and helping this ancient city showcase its diverse aspects.

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Designer: Paul Robb Project: TYPE DESIGN AND SPECIMEN Tag: Graphic

BAKE SANS

Bake Sans is a geometric sans serif typeface created for branding and communication projects. The letterforms draw on the International Style and on the clarity of Swiss type design, combined with experimental shapes and curves. The family was produced with type design software and gives a consistent visual character across different applications. A companion specimen book presents the typeface. The specimen measures 210 by 290 millimetres and was printed in a limited run in four colours using digital offset printing.

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Designer: RedPeak Global Project: Visual Communication Design Tag: Graphic

Cycling for a Better Future

Cycling for a Better Future is a visual communication design created for the environmental, social and governance strategy of Giant Group. The strategy brings a wide range of sustainability efforts together into three pillars covering climate action, circularity and social inclusion. Bold gradient colours and simple circular shapes inspired by bicycle wheels form the visual language. The design is applied to website pages, visual identity guidelines, a brand booklet, infographics and social media images. The aim is clear communication with diverse audiences.

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Designer: Paul Robb Project: Type Design Tag: Graphic

Arlo Sans

Arlo Sans is a geometric sans serif typeface designed for a wide range of uses. The letterforms include subtle details and deviations that create a sense of movement. Wide counters and open apertures support clear legibility across weights and sizes. Arlo Sans was drawn with robust, reliable forms and a contemporary character, and the family was mastered for readability. More than 20 stylistic glyph alternatives are included. The OpenType format allows the typeface to be used on any computer. The design was inspired by the International Style.

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Designer: Jingling Zheng Project: Branding Identity Tag: Graphic

Rebud Healing Garden

In the spirit of inclusivity, ReBud has crafted sanctuaries where one can commune with nature. Rooted in scientific research, it fosters well-being through immersive nature experiences. Inclusive spaces encourage mindfulness, compassion, and resilience. Within the healing garden, hope takes root, recovery blossoms, and belonging thrives. At ReBud, a tapestry of therapeutic experiences awaits, from soothing yoga sessions to intimate musical interludes, book club rendezvous, and al fresco artistry.

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Designer: Ying Gao Project: Brand Identity Tag: Graphic

Jingting Mountain Scenic Area

Jingting Mountain Scenic Area is a brand identity created for a key scenic area and national forest park in Anhui Province, China. The identity is based on the idea of cultural exploration through painting, so that a visit feels like walking through a scroll painting. Mountain views, pavilion forms, calm clouds, wild cranes and the local white liquor and green tea are drawn into the graphic language. Six auxiliary graphics support the main mark and can be applied in many settings. The design replaces an earlier image of narrow appeal and suits digital media.

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Designer: sxdesign Project: Brand Identity Tag: Graphic

Tang Da Li

Tang Da Li is a brand identity program that merges classical and modern graphic elements. The design reflects the diversity and openness of the Tang Dynasty. The brand name plays on the similar sound of Tang, which refers both to the dynasty and to sugar, giving the name a humorous tone. Tang Dynasty mural figures and traditional frames are combined with a contemporary layout. Printing is carried out with high quality methods on recyclable substrates. The identity is applied to posters and to packaging in large and small sizes.

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Designer: Ying Gao Project: Event Visual Communication Tag: Graphic

CZBank Youth Speech Contest

CZBank Youth Speech Contest is the main visual identity created for an annual speech event organized by CZBank for young participants. The theme of the contest is inheriting culture like roots and creating a better future. The design combines a speech microphone with tree roots in a three-dimensional line form. Intertwined shapes and transparent materials express the transmission of cultural heritage. The visual is extended to event posters, the speech venue and outdoor promotion, so it suits media, livestreaming and on-site use.

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Designer: VISANG Project: Interactive Textbook Tag: Graphic

I Really Like Math

I Really Like Math is an interactive mathematics textbook for school students. The textbook presents mathematical concepts through infographics to support clear reading and focus. Students can insert film or attach magnets to the pages and learn principles through direct handling. The cover is designed to be operated by students. The binding allows learning materials to be reconfigured for different curricula and additional materials to be stored. The page layout follows user experience research, with the line of sight, colors and images applied in a systematic way.

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